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The exhibition is organized by The Metropolitan Museum of Art and the Museo Nacional Centro de Arte Reina Sofía with the collaboration of the Kiran Nadar Museum of Art.
One of the most significant artists to emerge in post-Independence India, Nasreen Mohamedi (1937–1990) created a body...
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Looking at a seed can you imagine the entire tree? One who can imagine the tree looking at its seed and the seed looking at the tree is a reflection of a true artistic vision. - Himmat Shah
A hammer (sans hand) elegantly fixed onto a cube (sans mass). The gravitational connect between...
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Dayanita Singh has been preoccupied for some years now with evolving a portable architectural form that can function both as a site for display, and a repository for her photographs. Museum Bhavan are conceived as mutable structures with extendable limbs that are self-sufficient assemblies...
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Participating artists
C.K. Rajan, K.M. Madhusudhanan, K.P. Krishnakumar, N.N. Rimzon, and Surendran Nair
Pondering their strong Marxist idealism, artists from the Government College of Fine Arts, Trivandrum/Thiruvananthapuram in Kerala in the late 1970s-1980s...
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Participating Artists
Adi M Davierwala, Anish Kapoor, Dayanita Singh, F.N. Souza, Ganesh Haloi, Gigi Scaria, Gulammohammed Sheikh, Hema Upadhyay, Himmat Shah, Jeram Patel, K.G. Subramanyan, L.N. Tallur, Manisha Parekh, Mariam Suhail, Masooma Syed, Nandita Kumar, Noemie...
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Participating Artists
Anish Kapoor, Dilip Chobisa, Jeram Patel, Manisha Parekh, Madan Mahatta, Nalini Malani, Nasreen Mohamedi, Nandita Kumar, Pooja Iranna, Rana Begum, Seher Shah, Simryn Gill, Sheila Makhijani, V. Viswanadhan, Zarina
‘Working Spaces’ can be...
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KNMA collection unveiled an exhibition of hundred and eighty five early works of Vadodara-based artist Surendran Nair. Tracing Nair’s journey from the 1970s onwards to the time when he was a student at the Trivandrum College of Fine Arts and later at the Faculty of Fine Arts, Vadodara, the...
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Amongst his generation of artists, Rameshwar Broota, much like the solitary male figure in his imagery, stands distinctly alone in his consistent engagement with the ‘male body’ over five decades. While the female nude, seen through the male gaze, remained dominant in 20th century Indian art...
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A Retrospective (1969 – 2014) in Three Chapters
“You Can’t Keep Acid in a Paper Bag” is artist Nalini Malani’s first ever retrospective showcasing in India. Conceptualised in three-parts, each chapter ran for three months to present her art practice of the last five decades. The...
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Sonia Khurana has engaged with and articulated the poetics of dwelling and dereliction for more than two decades. In the exhibition she creates an installation that inhabits the dream house both physically and metaphorically. Using the performative mode she navigates the overlapping...
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